窪蹋勛圖厙

Pioneering music-tech innovation for disabled musicians wins backing from CreaTech Frontiers

Research News Last updated 11 December 2025

CreaTech Frontiers first cohort group photo

A groundbreaking project to develop new music-making technology for people with complex disabilities is one of 35 from across the West Midlands to win key funding from the game-changing

Dyskinetic Ltd is led by Kris Halpin, who is developing a new generation of accessible tools to help disabled musicians compose and perform and will work with Birmingham City University (窪蹋勛圖厙) to develop it.

Im a disabled musician myself, so that experience led us on a journey of making music more accessible, Kris said.

There is some wearable technology already available, but it isnt always appropriate or useful, particularly for those with complex disabilities.

CreaTech Frontiers is giving us an opportunity to network and find people with skills that we dont have so we can work together to create something incredible.

Dyskinetic Ltd is one of 35 small businesses and entrepreneurs awarded up to 瞿10,000 from CreaTech Frontiers, a five-year, 瞿7.2m creative industries cluster programme, funded by the Arts and Humanities Research Council.

Made up of 窪蹋勛圖厙, University of Birmingham, Coventry University, University of Warwick, the Royal Shakespeare Company and Digital Catapult, it was formed to support the next generation of innovation in the regions booming creative economy.

The creative industries are the heart of everything that as a society we should value, said Professor Lamberto Coccioli, Director of CreaTech Frontiers.

The West Midlands has so much talent, too, but a lot of small businesses work in isolation. We want to ensure they dont have to go to London to access facilities and technology because itll be on their doorstep. In the long term, we want to build an industry that is self-reliant and attracts investment from across the UK and globally.

The successful applicants, whose diverse R&D projects span robotics, LED fabrics, immersive experiences and gaming, will receive a share of 瞿315,000 as well as six months of access to advanced facilities, academic expertise, mentoring and business support.

The first funding round attracted more than 250 applications, including a high proportion from young and ethnically diverse innovators.

Digital Catapult, which has joined the programme to deliver acceleration and prototyping support, emphasised the national impact of the initiative.

We recognise the value of providing deep tech startups with access to the facilities, expertise and capabilities necessary to enable them to scale, said Laura Helm, Head of Creative Industries at Digital Catapult.

This is why programmes like CreaTech Frontiers are of immense value to the UKs creative industries and the economy more broadly, convening capabilities to advance the practical application of deep tech innovation in industry and equip the UK to be future ready.

The next call of funding will be launched in early 2026.

Photo: Successful applicants and CreaTech Frontiers team

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